Why does art matter?? For without perspective, life would be awfully dull! It is our most expressive form of sharing. Art matters because it illustrates the human experience—the wonder of it, the bewilderment of it, the whimsy of it, and so much more. We would not be connected so deeply without the existence of art
The arts matter because they help us see the world from different perspectives. They give us empathy and help us understand people, places, periods of history, and issues with which we may otherwise be unfamiliar. They comfort us in grief and energise us in celebration. They are important because they can act as a catalyst for change…they can start a revolution! The arts ignite something in our brains that I can’t explain, but I know it’s essential for life.
Are you a newbie to the art of collecting? Here is a substantial reason how you can start your very own art collection! Post October this year, if you have a registered ABN for a business which is turning over under $10million annually, an art work upto $30,000 will be fully tax deductible under current ATO regulations.
So effectively, you could purchase 5 x paintings at $30,000 each & have something to show for $150,000 taxable amount owing. No better time to invest in an art collection! Read more HEREby arts accountant specialist & valuer, Michael Fox regarding the recent ATO updates.
If you have a registered ABN for a business which is turning over under $10million annually, an art work upto $20,000 will be fully tax deductible under current ATO regulations. So effectively, you could purchase 5 x paintings at $20,000 each & have something to show for $100,000 taxable amount owing. No better time to invest in an art collection! Read more HEREby arts accountant specialist & valuer, Michael Fox regarding the recent ATO updates.
The Thierry B Fine Artwebsite offers a complete stockroom to view available works, interiorpages with the paintings installed into their new homes for inspiration, in addition to atestimonialpage which sounds positively smarmy – every word is true!!! We look forward to welcoming you into our bespoke gallery space, complete with oversize stockroom for your viewing pleasure.
Thierry B Fine Art is located @ 473 Malvern Rd, South Yarra. Gallery hours: Monday – Saturday 11am – 5pm & Sunday 12pm – 5pm or by appointment via email@example.com
Above: Visitor from Singapore to the gallery with Thierry B. over the weekend. New Coral Series painting installed entitled, The Deep Blue, 2018, Synthetic Polymer Paint on Linen, 183 x 183cm, P.O.A
How many Abstract painters can confidently say, their oeuvre encompasses twenty-seven (27) different styles available to his clientele?! So much of Thierry B’s art can be traced and talked about in terms of intention. The use of repetition in mark making, draws the viewer into the picture plane. It can be seen as metaphor for making his mark upon the world on a physical scale. Lyrical and delicate imagery, these fluid shapes transform spaces they inhabit. Hypnotic and healing, many of Thierry B’s series have been widely collected and photographed in private collections across Australia and overseas.
Above: Jane Valentine’s Shielding II, Carrara Statuario Marble on granite base, 110h x 110w x 31d cm, P.O.A
Jane VALENTINE developed a strong passion for marble during her time spent in the sculpting village of Pietrasanta, situated at the base of the Carrarra Mountains in Northern Italy. During her time there she explored a strong and individual style of art making. Valentine’s marble forms survey classical simplicity and the purity of form. Much like the later works of Romanian sculptor, Constantin Brancusi, her structures and vessels are abstracted and embrace various aspects of the natural world. Her aesthetic resonates with the essential elements of sculpture and its traditions to reveal the clarity of the material and its form. Artist Jane Valentine, working in her studio Nicola Stagetti, in Pietrasanta, Italy.
Valentine has participated in numerous solo and group exhibitions throughout Australia and in Italy. She has received several commissions for her work including three major Statuario marble works for Chadstone Shopping Centre in 2009. Valentine represented Australia at the 1999 International Sculpture Symposium in Changchun, China and her work is on permanent display at the Changchun International Sculpture Park. Her first major exhibition was representing Australia in the 1999 International Sculpture Symposium in Changchun, China. More recently, her pair of Droplets, 2014, (pictured above) are now sited at The Gandel’s Pt.Leo Winery & Sculpture park on the Mornington peninsula, outside Melbourne, an hour out by car on the freeway.
Above: Above: Patricia Heaslip, Resolution, 2018, Oil on Board, 137 x 137cm. Private Residence: Port Melbourne, Australia.
Above: Patricia Heaslip, Undercurrent, 2018, Oil on Board, 137 x 137cm, P.O.A
Above: Patricia Heaslip, Happy Heart, 2016, Oil on Linen, 183 x 183cm. Private Residence: Malvern, Melbourne, Australia.
With art we travel. What leads us to search out meaning for the walls of our inner harbours and our exterior retreats? What combination of space, surface and colour lead us to a feeling of extended openness, of belonging to our surroundings, of expansion of space and the glimmer of inexplicable lightness.
As we travel through architectural spaces, designed places – the search for the spontaneous and the desirable, and at times the spiritual, can often be mirrored in how we choose to demarcate our ideologies of place.
Above: Thierry B, A Blue Heart, Darwinism Series, 2018, Synthetic Polymer Paint on Linen, 122 x 91.5cm, P.O.A
Thierry B explains the art of zen; “My work is all about introducing the joy of colour into our lives, often seen here through cross-sections which challenge your spatial perception. The vibrancy of hue and curvilinear forms in repetition create a dynamic feast for the eye, where they are in constant motion. Energy maps a pathway for our eyes and hearts to meld.” – Thierry B, July 2015.
The Thierry B Fine Art website offers a complete stockroom to view available works, interiorpages with the paintings installed into their new homes for inspiration, in addition to a testimonial page which sounds positively smarmy – every word is true!!! We look forward to welcoming you into our bespoke gallery space, complete with oversize stockroom for your viewing pleasure.
The gallery is located @ 473 Malvern Rd, South Yarra. Gallery hours: Monday – Saturday 11am – 5pm & Sunday 12pm – 5pm or by appointment.
Wondering how to maximise your tax return for your business and feel like you’ve come out somehow on top?! With Australia’s tax breaks available to businesses which turnover under $10 million annually, owning your own art collection has never been so simple.
Michael Fox, a leading Melbourne tax accountant specialising in the arts explains, “The rules changed about two years ago regarding buying art for your business,” explains Michael Fox. “Today in Australia it is much easier to gain tax breaks for buying works of under $20,000 than it ever was before,” he says. Fox who helps people with their tax every day says one of the big loopholes people can exploit, is the “Turnbull’s Tradies” – a Small Business raft of tax measures, which allows small businesses to claim their expenses up to $20,000. “If you have an ABN, then under the small business act you can claim the entire sum of that purchase up to the tune of $20,000 each; A small business meaning turnover of less than $10 million dollars annually.
“This rule means you can buy as many individual art works as you like worth just under $20,000 each and claim them as a legitimate business expense. For example if you wanted you could buy five artworks for $19,990 each and claim a tax write-off of close to $100,000 by buying those 5 works. “I don’t think the government really intended it to be a tax break for the arts industry. At the time it was introduced so that tradespeople could claim the expense of a utility vehicle. “It is not that widely understood,” Fox says.
Above: Painting by Wilson Lin, Spatiality, 2017, Synthetic Polymer Paint on Linen, 122 x 91.5cm, $ 5,500. Sculpture by Jane Valentine, Harmonic Lines III, 2007, Marble on Granite base, 48 (dia) x 25 (d) x 90(h) cm, P.O.A
Above: Wilson Lin working on his Fractal series in studio, Melbourne, Australia.
Above: Wilson Lin, A Glimmering Sheet, 2018, Fractal series, Synthetic Polymer Paint on Linen, 122 x 91.5cm, $5,500
Thierry B Fine Art showcases the Abstract paintings and sculpture from over a dozen Australian artists. Master painter and designer, Thierry B, will also scope your home or business space and recommend the ideal proportions. The South Yarra-based state-of-the-art gallery, Thierry B Fine Art provides a turn-key solution for our valued clients – where guesswork has been eliminated for you.
With prices starting from $2,500 upto $55,000, paintings are given the royal treatment proudly sporting a custom-made frame, complimentary nation-wide delivery & installation.
Above: Master Abstract Expressionist painter Thierry B. pictured in his Huntingdale studio, Melbourne, Australia.
Above: Thierry B., Contrast, 2017, Groove Series, Synthetic Polymer Paint on Linen, 122 x 183cm, Corporate collection, Craigieburn Victoria.
Above: Patricia Heaslip, Landlines, 2015, Oil on Linen, 183 x 183cm, $15,000
Above: Michelle Breton, Trompette au Soleil, 2017, Mixed Media on Canvas, 153 x 137cm, $9,900
Gallery Manager and art curator, Vicki Finkelstein explains, “that while some people might be intimidated by going to a gallery and asking prices, new collectors should never be scared to talk about the budget they have in mind for buying art. “We can guide people to incredibly collectible museum quality work for under $20,000. We often work to very tight briefs for offices, homes and new collectors. Interior designers and architects for example will always come to us with a budget in mind, so we’re accustomed to taking clients through our stockroom to find the right work,” Finkelstein says.
Above: Thierry B. Dreamscape Series, Suddenly Clare, Synthetic Polymer Paint on Linen, 183 x 300cm, custom-framed in water-gilded, 18-carat gold, P.O.A
Above: Thierry B. La Vie En Rose, 2018, Synthetic Polymer Paint on Linen, 152 x 122cm, custom-framed in water-gilded, 18-carat gold, $15,000
Are you developing a corporate culture in your business? Are you running a business in a cut throat industry? Wanting to attract great clients and retain incredible staff? Then buy art. Not only will you claim the expense of making your office look cool, but if you are in charge, at the top end of town, you can curate a serious corporate collection.
Once you amass a cool art collection you can tour the work or open it to the public. At the top end of town the ultimate, is when these companies appoint someone as a curator and actually put together a decent collection. Then those sorts of exhibitions can go touring around the country. Granted with the name of the company attached, but still, it’s a form or a good will and very clever marketing.
Above: Richard Lewer, Untitled #27 (Tax Time Again), 2016, Langridge pigmented ink on sandpaper, 28cm by 23cm. Collection of Michael Fox Arts Accountant & Valuer.
Overseas this is common practice. Here in Australia companies like Wesfarmers, BresicWhitney, Allens and SBS all have great corporate collections the public can visit. Collecting art for your company isn’t just about tax savings or marketing. There have been several studies that show people who work in environments with nice artwork tend to be more productive.
Resident Curator at Allens Linklaters Maria Poulos can concur. Their collection was formed under the direction of Hugh Jamieson, a former partner at Allens, who left a legacy of 900 modern paintings. When he retired in 1995 he left behind a collection that has become central to the company’s vision and values, a collection that has continued to expand.
“The Collection represents an important part of Allens’ corporate identity and its connection to a much wider cultural world. In another sense, it’s a sign of good citizenship and creates a ‘civilised workplace’,” Poulos explains.
Above: Painting by Tim Blashki, Container/Contained, 2013, Acrylic on Board, 100 x 540cm, $20,000. Sculpture by Jane Valentine, Shielding II, 2014, Stauario Marble on granite base, 100 (h) x 90 x 25 (d)cm, P.O.A
Above: Sculpture by Jane Valentine, Shielding II, 2014, Stauario Marble on granite base, 100 (h) x 90 x 25 (d)cm, P.O.A
Today, corporate collections are generally no longer seen simply as a way of decorating a company’s foyer, boardroom or offices. Instead, they are seen as a marketing tool that assists in defining a corporation’s brand or reputation. Many of the organisations that focus on collecting contemporary art are in competitive industries where it is necessary to project an image of being a forward thinking, dynamic and progressive market leader in order to attract the best staff and clients.
Above: Michael Whitehead, diptych, Outcrop & Plateau, 2018, Mixed Media on Linen, 180 x 140cm, Corporate collection, South Yarra, Australia.
Shannan Whitney who is the CEO and Founder of BresicWhitney has watched his corporate collection grow considerably since he purchased a Bill Henson for his office back in 2003. “Art was introduced consciously quite early on. It was an important mechanism to connect customers with our brand within a physical space. It was also a nice connection piece for our staff,” Whitney says. Today he points out, that in all four of his offices, art plays a strong, but silent role.
“Firstly it’s unexpected which is great. Secondly like all art is supposed to do, it prompts a response and reaction, which is valuable and finally I think it has been an effective in helping people connect our brand with our vision,” he says. Maria Poulos echoes this sentiment at Allens, sighting the impact on staff as ‘positive’. “Lawyers often comment on the art as a great conversation starter with new clients – a handy way to break the ice. Even if someone remarks unfavourably, ‘How can you put up with that?’, art has stimulated discussion and a different way of looking at things,” she says.
In the last post for the year, 2017 has been a rollercoaster ride for many.
I for one, am looking forward to a complete summer break with my favourite little peeps, my twin 8 year old’s.
It’s all about having fun and being in the moment, taking our time, and few plans except soaking up the much-needed sunshine and feeling the sand between our toes in between bouts of body surfing.
I’d like to take this opportunity to thank Thierry B Fine Art‘s valued clientele for their ongoing support throughout 2017.
We’d also like to thank our behind-the scenes-colleagues who logistically make it all possible to keep up the pace, as one of Australia’s busiest commercial art galleries.
Here are a few of my favourite things below!!!
As we countdown the last 6 days until we close the gallery for our break, our gallery hours include Monday – Saturday 11am – 5pm & Sunday 12pm – 5pm or by appointment. Re-opening the 15th January, if you are in town come by and check out our new stockroom full of beautiful paintings.
Have a happy holiday with your loved ones of near and far, and return next year in good health, ready for an even bigger and better 2018!!
I love it when the spring shifts ever so slightly into summery mode. If you are based in Melbourne, Australia – you may also have taken note & fished out your sandals last week when the mercury hit 31 degrees two days, back-to-back. Alas, as optimistic as even the most seasoned veteran of our blink-and -you’ll-miss- it weather down south, we are back to halcyon high-wind days filled with woeful hay fever and awful allergies fluttering through our day.
Summer, where are you?? Please hurry! We miss you and want you back!
Above: Thierry B, On The Rise, Synthetic Polymer Paint on Linen, 183 x 152cm, P.O.A.
Michelle Breton, Honey Dreaming, Mixed media on Canvas, 137 x 153cm, P.O.A
Above: Patricia Heaslip, Landlines, Oil on Canvas, 183 x 183cm, P.O.A
Above: Thierry B, Satisfaction, Synthetic Polymer Paint on Linen, 122 x 91.5cm, P.O.A.
Even As I thumb through my latest novel, Honey, Baby, Sweetheart by Deb Caletti, I am willing the weather toward sunshiney days/daze:
“Summer, after all, is a time when wonderful things can happen to quiet people. For those few months, you’re not required to be who everyone thinks you are, and that cut-grass smell in the air and the chance to dive into the deep end of a pool give you a courage you don’t have the rest of the year. You can be grateful and easy, with no eyes on you, and no past. Summer just opens the door and lets you out.”
Above: Thierry B, Submerged, Synthetic Polymer Paint On Linen 184 x 153 cm, P.O.A
Above: Thierry B, Effervescence, Synthetic Polymer Paint on Linen, 122 x 168cm, P.O.A
Above: Michelle Breton Trompette au Soleil, Mixed Media on Canvas, 153 x 137cm, P.O.A
I also feel I need to tell you that I started the day by ordering at my local cafe Mr.Brightside a plate of summer! I couldn’t go past their special menu which had got a little summer make over today. This is Challah French Toast with raspberry mascarpone, fresh berries and maple. Never one to do things half-heartedly, I added a berry smoothy in for good measure! So delicious. Now all we need are some seriously good sunsets beachside , with some Frose or Negroni spritzers & we’re talking!!
Inspired by this sunset snap last week (above), I throw it out to the weather gods that be – summer where for art thou?!! If I cannot bask in the light of a shimmering summer day, than I will go in search of finding other ways to bring the energy inwards – paintings perform this function. They engage and enliven a previously empty space, lending it life and an anchor for your gaze. Take a closer look at the new offerings by Australian talent we have in the gallery stockroom now to view.
Above: Michelle Breton, Octobre a Ceret,Mixed Media on Canvas, 152 x 137cm, P.O.A
Patricia Heaslip, The Essences, Oil On Canvas, 152.5 x 106 cm, P.O.A.
Patricia Heaslip, Fortitude, Oil On Canvas, 183 x 183cm, P.O.A.
Above: Michelle Breton, Rising Candy, Mixed Media on Canvas, 183 x 152cm, P.O.A
As potential collector and client of Thierry B Fine Art, we are excited to offer Autralia-wide complimentary delivery to your home or business address. To place your order, email firstname.lastname@example.org or call directly on: +613 9827 7756. Thierry B Fine Art is located at 473 Malvern Rd, South Yarra.
Gallery hours: Monday – Saturday, 11am – 5pm, Sunday 12pm-5pm or by appointment: 0404 861 438.
Above: Patricia Heaslip, Ether, Oil on Linen, 183 x 183cm, Private Residence, Malvern, Australia.
13 REASONS WHY ORIGINAL ART IN THE HOME IS AS IMPORTANT AS A BED
Having original art in the home is vital to your well being. Art is a key piece of furniture for many reasons and yet it is sometimes put on the back burner in comparison to other home objects. This list is dedicated to the understanding of importance of art from perspectives of interior design, well being, social atmosphere, creating a mood in the home, and more. One quote that stands out about the importance of original art is the following, “You would never put fake books on your bookshelf, so why would you put fake art on your walls?”
Above: Patricia Heaslip, Untitled, Oil on Linen, 183 x 183cm, Private Residence, Brighton, Australia.
1. Creates Mood
Brain scans have revealed that looking at works of art trigger a surge of dopamine into the same area of the brain that registers desire, pleasure, and romantic love. Romantic, sublime landscapes provoke contemplation of nature and purity. Such works then create a mood of peace and are good for relaxation rooms such as the bedroom.
Above: Michael Whitehead, Ever After, Synthetic Polymer Paint & Mixed Media on Linen, 80 x 270cm, Private Residence, Toorak, Australia.
2. Adds Personal Character to the Home
We all love to express ourselves, be it through clothing, accessories, social media – the list goes on! Original art in the home is a perfect way to express your artistic and aesthetic interests in a way different from most, for original artworks are one of a kind.
Above: (left) Phonsay,Under My Umbrella, (right) Bubble Gum Dream, Synthetic Polymer Paint on Linen, 122 x 122cm, Private Residence, South Yarra, Australia.
3. Makes Memories
Buying an original work of art is an experience. For whatever reason, you were drawn to a specific piece (or multiple). You may have seen it at a show opening, had a nice trip to the ice cream shop before hand. Whatever happened leading up to/during/after the purchase of a meaningful original work will be remembered every time you see it. This will not happen with a poster from Ikea.
Above: Thierry B, Darwinism Series, Triptych, Synthetic Polymer paint on Line, 183 x 152cm x 3 panels. Private residence, Caulfield, Australia.
4. Provides a Colour Palette
When rooms have a lot of colours, or many shades of the same colour, it can become overwhelming. An original work of art is a beautiful, meaningful way to tie everything together and create a general focal point.
Above: Thierry B, Next Chapter, Synthetic Polymer Paint on Linen, 183 x 183cm, Private Collection, South Yarra, Australia.
5. Makes a Room Feel Finished
When walls are empty, a room does not necessarily look bad, but by no means does it look finished. Rooms with empty walls are functional rooms in a house. Rooms with original art work are comfortable rooms in a home.
Above: Michelle Breton, Untitled, Mixed Media on Canvas, 152 x 152cm, Private Residence, Kooyong, Australia. Styling: Lisa Gole Interiors.
6. Inspires and Fosters Creativity
This one is simple – in rooms with no art, artistic expression is lacking and therefore the need and want for creativity is not very prominent. On the opposite end of the spectrum, original artworks foster creativity, expression, artistic inspiration. This is particularly important in homes with children as being surrounded by artwork will allow creative thinking. This idea is expanded on in reason 11.
Above: Justin Audrins, Talking Heads, Oil on Canvas, 137.5 x 198cm. Private Residence, Toorak, Australia.
7. Conversation Starter
As mentioned in reason 2, hanging original art in your home is a way of expressing oneself. That being said, guests will always be curious about the choice of artwork, the story, have questions about the artist, etc. It is a way to show off your art collection while having passionate conversations with house guests.
Above: Thierry B, Euphoria Series, Synthetic Polymer paint on Linen, 183 x 183cm. Private Residence, Melbourne, Australia. Styling: David Hicks Design.
8. Supports Artists
One of the most important things about buying original artwork is that you are supporting an artist’s career. Each time you have a look at a work in your home, it provides a feel-good emotion that you are assisting an artist in achieving the success and recognition they deserve.
Above: Michael Whitehead, Things Forgotten, Synthetic Polymer Paint & Mixed Media on Canvas, 120 x 150cm.
9. It is an Investment
Building off of reason 8, not only does owning original work in the home allow you to support artists’ careers, but it is also an investment. These artworks can be passed down through family and friends, be shared with loved ones for many years all while increasing in worth. This is never something that will be achieved with a $12 print from Kmart.
Above: Thierry B, Blush, Synthetic Polymer Paint on Canvas, 122 x 91.5cm.
10. Creates a Livable Environment
Art can make rooms that are not necessarily “home-y” become comfortable working and living environments. A home office, for example, can transform from a place of work and business to one of relaxation and productivity all the with addition of an original work of art. Attached is an article explaining how artwork in office spaces improves employee productivity.
Above: Thierry B, Unlimited, 183 x 183cm & Between the Lines Series, 122 x 91.5cm, Synthetic Polymer Paint on Linen. Private Residence, Albert Park, Australia.
11. Keeps the Brain Active
Art is very conceptual, artists use it as a medium to express personal thought, political or social issues, and to make us as viewers think. Some people do quizzes or crossword puzzles to keep their brain active, but another way to do so is to own original artwork in the home, to just sit, look, and think.
Above: Michelle Breton, Collioure, Mixed Media on Canvas, 117.5 x 203cm. Private Collection, Caulfield Australia.
In a busy, fast-paced world that demands speed and productivity, home should be a place of relaxation. Coming home from a busy day at work to sit on your couch and stare at a TV or a blank wall is not as recharging or relaxing as enjoying an artwork purchased with the means to create a positive mood.
Above: Thierry B, Pieces of You, Synthetic Polymer Paint on Linen, 122 x 91.5cm. Private Residence, Toorak, Australia.
13. Curating Your Own Gallery is Fun!
Last but certainly not least, curating a gallery is fun! Attending show openings, going to galleries, chatting with artists even, it is a fun experience! After a while you will start to notice a theme, in subject matter, colour, concept, etc. Playing with moods, composition, placement in the home, of all these reasons why to have art in the home, let’s not forget the fact that it is simply something fun to do!
Above: Thierry B, Blush, Synthetic polymer Paint on Canvas, 122 x 91.5cm.
Above Left: Thierry B, Where Are You Now?, Synthetic Polymer Paint on Linen, 170 x 250cm, Private Residence, Caulfield.
Above Right: Michael Whitehead, Things Forgotten, Synthetic Polymer Paint & Mixed Media on Canvas, 120 x 150cm, Private Residence, Caulfield.
The definition of decorative means to make something more attractive – to embellish and beautify and enhance one’s environment. In France, the term decorative is celebrated in all its forms from furniture, to carpets, soft furnishings and ornaments. Decoration is an art form in itself to be revered and admired. Why then, does the word ‘decorative’ sound so dirty when we apply it to art ?
To decorate one’s environment is to create a space which reflects your taste and admiration for certain colour palettes and styles which inform and transform wall space into ‘energy pockets’ where your eyes zoom in and rest on works you love to look at and live with everyday. And it is entirely personal. What we are drawn toward and respond to may be decorative in nature, have no narrative but to take your eyes on a journey of exploration.
Above: Patricia Heaslip, Ether, Oil on Linen, 183 x 183cm – Private Residence, Malvern.
Above: Patricia Heaslip, Untitled, Oil on Linen, 183 x 183cm – Private Residence, Brighton.
Thierry B Fine Art offers our clients possibilities and services which no other gallery includes in Melbourne. If you are placing your greatest asset on the market for sale, our stockroom holds over 400 paintings by an eclectic range of 12 artists including the prolific portfolio by Thierry B himself, whose series number 16 different styles. Truly something for everyone – we are adept at working within your budget and timeframe — whether it be for an Open For Inspection to the public, or a private function hosted at home, or longer term rentals available for commercial and private spaces.
More cost effective than alternative options – our service provides delivery with our professional carriers and installation by Thierry B for the wow factor. Thierry has been told by so many satisfied clients that he ‘has the eye’ & will deftly tweak a few pieces of your existing furniture, or suggest some tired art works require a ‘facelift’ with a sharp custom frame, can source on your behalf furniture, soft furnishings where required.
“Thank you to Thierry B – he has ‘the eye’! With our renovation complete, we had many blank walls staring back at us but had no idea where to start. Thierry was able to assist us with proportions and existing work we owned and even the placement of furniture so that it all flowed beautifully from one room to the next” – Mr. & Mrs. Cawthorne, Brighton.
Above: Thierry B, Darwinism Series, Indulgence of Freedom, Synthetic Polymer Paint on Linen, 200 x 300cm.
Above: Thierry B, Darwinism Series, Synthetic Polymer Paint on Linen, 170 x 250cm – Private Residence, East Melbourne.
With as many as 16 painting styles, Thierry B has a healthy insta following – all enamoured with his diversity and talent. He is open to accepting commissions for clients who are keen to add his energy to their blank walls at home. Thierry regularly makes house calls to offer a complimentary consultation to recommend the ideal proportions of a painting which can act as an anchor point in a room. Clients are then able to select their preferred colour palette to either work back with existing work hanging or create a new energy in the space.
Above Left: Phonsay, Under My Umbrella, Acrylic on Linen, 122 x 122cm.
Above Right: Phonsay, Bubblegum Dream , Acrylic on Linen, 122 x 122cm.
Phonsay‘s clever and whimsical digital photographic prints have long been a favourite among Thierry B clients, who are drawn in with his quirky compositions all expertly framed in this limited edition printed on super fine, museum-quality rag paper, offering an aquarelle stipled-like effect. This year sees Phonsay picking up his fine hair paint brushes to create some client commissions of portraits of families, and the odd surprise gift for a special birthday for hard to buy for loved ones. The paintings start from 122 x 122cm in size and can be commissioned to size with an emerging price tag to boot. An affordable way of adding a treasure to your growing collection.
Above: Michael Whitehead, Ever After, Synthetic Polymer Paint and Mixed Media on Linen, 80 x 270cm, Private Residence, Toorak.
Above: Thierry B, Pieces of You, Synthetic Polymer Paint on Linen, 122 x 91.5cm, Private Residence, Toorak.
Some of Thierry B’s satisfied clients:
“We are both so thankful for your decorating expertise for our home – from advice on paintings for our space, design recommendations and of course, your skillful hanging – it now looks amazing!” – Karen and Justin, Malvern.
“Hi Thierry – this is the quickest makeover ever. Thought I was in the wrong apartment. Looks brilliant. Love your work. Many thanks for your time today. Very much appreciated” – Julie & Michael, Southbank
Above Left: Thierry B, Unlimited Series, Synthetic Polymer Paint on Linen, 183 x 183cm – Port Melbourne Residence.
Above Right: Thierry B, Between the Lines Series, Synthetic Polymer Paint on Linen, 137 x 122cm – Port Melbourne Residence.
Above Right: Thierry B, Calming Chaos, Synthetic Polymer Paint On Linen, 183 x 183cm – Williamstown Residence.
It is always appreciated when our valued clients take the time to express their gratitude: “Dear Thierry, I’m walking around my house in absolute awe with what you have created here with your style and flair, something that I would never have been able to achieve. Thank you so much for everything so far. I really appreciate you coming out this afternoon and fine tuning the furniture and putting up the family photos which are very important to me and you’ve made it look classy and elegant. I know it’s a busy time of year for everyone so I appreciate you fitting today into your schedules. I can’t wait to see the house in Belle magazine hopefully sometime in 2017 to show off your hard work for all to admire. You’re a true gem and a beautiful person! Justine xxxx” – John & Justine, Williamstown.
Thierry B Fine Art is located at 473 Malvern Rd, South Yarra.
Gallery hours: Monday – Saturday, 11am – 5pm, Sunday 12pm-5pm or by appointment: 0404861438.