The Finkelstein Files: Moody Blues


Above: Visitor from Singapore to the gallery with Thierry B. over the weekend. New Coral Series painting installed entitled, The Deep Blue, 2018, Synthetic Polymer Paint on Linen, 183 x 183cm, P.O.A

How many Abstract painters can confidently say, their oeuvre encompasses twenty-seven (27) different styles available to his clientele?! So much of Thierry B’s art can be traced and talked about in terms of intention. The use of repetition in mark making, draws the viewer into the picture plane. It can be seen as metaphor for making his mark upon the world on a physical scale. Lyrical and delicate imagery, these fluid shapes transform spaces they inhabit. Hypnotic and healing, many of  Thierry B’s series have been widely collected and photographed in private collections across Australia and overseas.


Above: Jane Valentine’s Shielding II, Carrara Statuario Marble on granite base, 110h x 110w x 31d cm, P.O.A

 

Jane VALENTINE developed a strong passion for marble during her time spent in the sculpting village of Pietrasanta, situated at the base of the Carrarra Mountains in Northern Italy. During her time there she explored a strong and individual style of art making. Valentine’s marble forms survey classical simplicity and the purity of form. Much like the later works of Romanian sculptor, Constantin Brancusi, her structures and vessels are abstracted and embrace various aspects of the natural world. Her aesthetic resonates with the essential elements of sculpture and its traditions to reveal the clarity of the material and its form. Artist Jane Valentine, working in her studio Nicola Stagetti, in Pietrasanta, Italy.

 

 

Valentine has participated in numerous solo and group exhibitions throughout Australia and in Italy. She has received several commissions for her work including three major Statuario marble works for Chadstone Shopping Centre in 2009. Valentine represented Australia at the 1999 International Sculpture Symposium in Changchun, China and her work is on permanent display at the Changchun International Sculpture Park. Her first major exhibition was representing Australia in the 1999 International Sculpture Symposium in Changchun, China.  More recently, her pair of Droplets, 2014, (pictured above) are now sited at The Gandel’s Pt.Leo Winery & Sculpture park on the Mornington peninsula, outside Melbourne, an hour out by car on the freeway.


Above: Above: Patricia Heaslip, Resolution, 2018, Oil on Board, 137 x 137cm. Private Residence: Port Melbourne, Australia.


Above: Patricia Heaslip, Undercurrent, 2018, Oil on Board, 137 x 137cm, P.O.A

Above: Patricia Heaslip, Happy Heart, 2016, Oil on Linen, 183 x 183cm. Private Residence: Malvern, Melbourne, Australia.

With art we travel. What leads us to search out meaning for the walls of our inner harbours and our exterior retreats? What combination of space, surface and colour lead us to a feeling of extended openness, of belonging to our surroundings, of expansion of space and the glimmer of inexplicable lightness.

As we travel through architectural spaces, designed places – the search for the spontaneous and the desirable, and at times the spiritual, can often be mirrored in how we choose to demarcate our ideologies of place.

 

Above: Thierry B, A Blue HeartDarwinism Series, 2018, Synthetic Polymer Paint on Linen, 122 x 91.5cm, P.O.A

 

Thierry B explains the art of zen; “My work is all about introducing the joy of colour into our lives, often seen here through cross-sections which challenge your spatial perception. The vibrancy of hue and curvilinear forms in repetition create a dynamic feast for the eye, where they are in constant motion. Energy maps a pathway for our eyes and hearts to meld.” – Thierry B, July 2015.

The Thierry B Fine Art website offers a complete stockroom to view available works, interior pages with the paintings installed into their new homes for inspiration, in addition to a testimonial page which sounds positively smarmy – every word is true!!! We look forward to welcoming you into our bespoke gallery space, complete with oversize stockroom for your viewing pleasure.

The gallery is located @ 473 Malvern Rd, South Yarra. Gallery hours: Monday – Saturday 11am – 5pm & Sunday 12pm – 5pm or by appointment.

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The Finkelstein Files: Monochromatic Schematic

With art we travel. What leads us to search out meaning for the walls of our inner harbours and our exterior retreats? What combination of space, surface and colour lead us to a feeling of extended openness, of belonging to our surroundings, of expansion of space and the glimmer of inexplicable lightness.

As we travel through architectural spaces, designed places – the search for the spontaneous and the desirable, and at times the spiritual, can often be mirrored in how we choose to demarcate our ideologies of place.

Pictured here is abstract artist, Wilson Lin working in his Huntingdale studio, alongside mentor, Thierry B. Originally born in Taiwan, Lin’s paintings have been exhibited in Taiwan and Hong Kong as well as represented in Melbourne at Thierry B Fine Art over the past five years. A student of Thierry B’s, Wilson shares studio space in Huntingdale with him, learning to focus his creativity from a Zen perspective, Buddhist in essence. The pattern-making and repetition of line in his works create a vortex and restful space for the viewer all at once. Lin’s paintings are now highly sought after and collected Australia wide and gaining notoriety internationally.

 

Above: Thierry B mentors Abstract artist Wilson Lin in the Huntingdale studio, Melbourne.

 

Above: Wilson Lin, A Glimmering Sheet, Synthetic Polymer Paint on Linen, 122 x 91.5cm, P.O.A

Above: Wilson Lin, Silver Lining, Synthetic Polymer Paint on Linen, 152 x 122cm, P.O.A

Sculpture pictured by Lachlan Ross, Eternity, 2016,  Stainless Steel on wooden plinth, P.O.A

Above: Thierry B, Contrast, 2016, Synthetic Polymer Paint on Linen, 122 x 183cm, P.O.A

Thierry B explains the art of zen; “My work is all about introducing the joy of colour into our lives, often seen here through cross-sections which challenge your spatial perception. The vibrancy of hue and curvilinear forms in repetition create a dynamic feast for the eye, where they are in constant motion. Energy maps a pathway for our eyes and hearts to meld.” – Thierry B, July 2015.


Above: Thierry B, Euphoria Series – Blanc, Synthetic Polymer Paint on Linen, 152 x 152cm, P.O.A

 


Above: Prolific Abstract Expressionist painter,  Thierry B in his studio, Huntingdale Melbourne.

Paintings by Thierry B emphasise free, spontaneous, and personal emotional expression. They exercise a freedom of technique and execution to attain this goal, with a emphasis laid on the exploitation of the variable physical character of paint to evoke expressive qualities. Sensuous, dynamic and lyrical. They show similar emphasis on the unstudied and intuitive application of that paint in a form of psychic improvisation. Akin to the automatism, with the intent of expressing the force of the creative unconscious in art. They display the abandonment of conventionally structured composition built up out of discrete and segregable elements and their replacement with a single unified, undifferentiated field, network, or other image that exists in unstructured space. And finally, the paintings fill large canvases to give these aforementioned visual effects both monumentality and engrossing power.

 

Above: Lily Kelly Napangati, Tuli Tuli (Sand Dunes) 2017, Acrylic Paint on Linen, 122 x 212cm, P.O.A

Lily Kelly Napangati is a highly esteemed artist recognised for her contribution to contemporary aboriginal artwork. With a talent for intricate detail, Lily has captivated audiences with her interpretations of the shifting seasons and changing country.This painting depicts the Tali Tali, (Sand Hills) around the artists traditional country located around Mt.Liebig, Haasts Bluff, Papunya and Kintore. The dotting represents the shifting sands and landscape. This is where Lily’s ancestors lived, hunted and gathered food. Ceremonies would be performed at sacred creation sites where young women would learn the mythology of how the land was formed and the creeks, plants and animals came into being.



Above: Belle magazine features a glamorous interior by David Hicks revealing Thierry B’s sonambulistic Euphoria series in wistful white. Measuring 183 x 183cm the painting offers a strong anchor point for this pied-de-terre in Melbourne (see page 114, Aug/Sept Belle Magazine). The Euphoria series has been part of Thierry B’s oeuvre and regularly requested by loyal clientele for busy boardrooms and home interiors alike for close to fifteen years.

Above: Jane Valentine, Shielding I, II, III, Statuario Marble, 100 (h) x 90 (w) x 25 (d) cm, P.O.A

One of the earliest art forms, sculpture still carries the imprint of artisan knowledge passed down through centuries. Yet while Valentine’s practice honours and continues many traditional methods, she is very much a 21st-century practitioner, excited by technology and operating globally, sourcing her materials, her working spaces and conversations all over the world. “I work with whatever technology I can take; and I work some pieces just by hand. That’s amazing – and even more beautiful when you’re working more intuitively and you don’t know what the end product is going tobe.” Now, she says, working like that is “something that I give myself as a gift”. “Part of my artistic practice tries to get to the essence of things and that’s often a pure, fragile, feminine essence.”

There’s a famous Michelangelo quote about the statue concealed in each block of vstone and the sculptor’s task of revealing it. In Valentine’s concentration as she listens – leaning in to catch anything obscured beneath the stones of a conversation’s words – you sense the focus with which she seeks out her marble and its internal potential. “It’s better to go when it’s just been raining and there’s early morning light,” she saysof these excursions. “You have to tap marble, it sings, so you’re looking for the appropriate pitch.” All in a days work for widely collected and revered sculptor, Jane Valentine.

As potential collector and client of Thierry B Fine Art, we are excited to offer Autralia-wide complimentary delivery to your home or business address. To place your order, email art@thierrybfineart.com or call directly on: +613 9827 7756. Thierry B Fine Art is located at 473 Malvern Rd, South Yarra.

Gallery hours: Monday – Saturday, 11am – 5pm, Sunday 12pm-5pm or by appointment: 0404 861 438.