The Finkelstein Files: A Few of My Favourite Things!!!



In the last post for the year, 2017 has been a rollercoaster ride for many.

I for one, am looking forward to a complete summer break with my favourite little peeps, my twin 8 year old’s.

 It’s all about having fun and being in the moment, taking our time, and few plans except soaking up the much-needed sunshine and feeling the sand between our toes in between bouts of body surfing.

I’d like to take this opportunity to thank Thierry B Fine Art‘s valued clientele for their ongoing support throughout 2017.

We’d also like to thank our behind-the scenes-colleagues who logistically make it all possible to keep up the pace, as one of Australia’s busiest commercial art galleries.

Here are a few of my favourite things below!!!


 

As we countdown the last 6 days until we close the gallery for our break, our gallery hours include Monday – Saturday 11am – 5pm & Sunday 12pm – 5pm or by appointment. Re-opening the 15th January, if you are in town come by and check out our new stockroom full of beautiful paintings.

Have a happy holiday with your loved ones of near and far, and return next year in good health, ready for an even bigger and better 2018!!

Lots of love, Thierry & Vicki

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The Finkelstein Files: Monochromatic Schematic

With art we travel. What leads us to search out meaning for the walls of our inner harbours and our exterior retreats? What combination of space, surface and colour lead us to a feeling of extended openness, of belonging to our surroundings, of expansion of space and the glimmer of inexplicable lightness.

As we travel through architectural spaces, designed places – the search for the spontaneous and the desirable, and at times the spiritual, can often be mirrored in how we choose to demarcate our ideologies of place.

Pictured here is abstract artist, Wilson Lin working in his Huntingdale studio, alongside mentor, Thierry B. Originally born in Taiwan, Lin’s paintings have been exhibited in Taiwan and Hong Kong as well as represented in Melbourne at Thierry B Fine Art over the past five years. A student of Thierry B’s, Wilson shares studio space in Huntingdale with him, learning to focus his creativity from a Zen perspective, Buddhist in essence. The pattern-making and repetition of line in his works create a vortex and restful space for the viewer all at once. Lin’s paintings are now highly sought after and collected Australia wide and gaining notoriety internationally.

 

Above: Thierry B mentors Abstract artist Wilson Lin in the Huntingdale studio, Melbourne.

 

Above: Wilson Lin, A Glimmering Sheet, Synthetic Polymer Paint on Linen, 122 x 91.5cm, P.O.A

Above: Wilson Lin, Silver Lining, Synthetic Polymer Paint on Linen, 152 x 122cm, P.O.A

Sculpture pictured by Lachlan Ross, Eternity, 2016,  Stainless Steel on wooden plinth, P.O.A

Above: Thierry B, Contrast, 2016, Synthetic Polymer Paint on Linen, 122 x 183cm, P.O.A

Thierry B explains the art of zen; “My work is all about introducing the joy of colour into our lives, often seen here through cross-sections which challenge your spatial perception. The vibrancy of hue and curvilinear forms in repetition create a dynamic feast for the eye, where they are in constant motion. Energy maps a pathway for our eyes and hearts to meld.” – Thierry B, July 2015.


Above: Thierry B, Euphoria Series – Blanc, Synthetic Polymer Paint on Linen, 152 x 152cm, P.O.A

 


Above: Prolific Abstract Expressionist painter,  Thierry B in his studio, Huntingdale Melbourne.

Paintings by Thierry B emphasise free, spontaneous, and personal emotional expression. They exercise a freedom of technique and execution to attain this goal, with a emphasis laid on the exploitation of the variable physical character of paint to evoke expressive qualities. Sensuous, dynamic and lyrical. They show similar emphasis on the unstudied and intuitive application of that paint in a form of psychic improvisation. Akin to the automatism, with the intent of expressing the force of the creative unconscious in art. They display the abandonment of conventionally structured composition built up out of discrete and segregable elements and their replacement with a single unified, undifferentiated field, network, or other image that exists in unstructured space. And finally, the paintings fill large canvases to give these aforementioned visual effects both monumentality and engrossing power.

 

Above: Lily Kelly Napangati, Tuli Tuli (Sand Dunes) 2017, Acrylic Paint on Linen, 122 x 212cm, P.O.A

Lily Kelly Napangati is a highly esteemed artist recognised for her contribution to contemporary aboriginal artwork. With a talent for intricate detail, Lily has captivated audiences with her interpretations of the shifting seasons and changing country.This painting depicts the Tali Tali, (Sand Hills) around the artists traditional country located around Mt.Liebig, Haasts Bluff, Papunya and Kintore. The dotting represents the shifting sands and landscape. This is where Lily’s ancestors lived, hunted and gathered food. Ceremonies would be performed at sacred creation sites where young women would learn the mythology of how the land was formed and the creeks, plants and animals came into being.



Above: Belle magazine features a glamorous interior by David Hicks revealing Thierry B’s sonambulistic Euphoria series in wistful white. Measuring 183 x 183cm the painting offers a strong anchor point for this pied-de-terre in Melbourne (see page 114, Aug/Sept Belle Magazine). The Euphoria series has been part of Thierry B’s oeuvre and regularly requested by loyal clientele for busy boardrooms and home interiors alike for close to fifteen years.

Above: Jane Valentine, Shielding I, II, III, Statuario Marble, 100 (h) x 90 (w) x 25 (d) cm, P.O.A

One of the earliest art forms, sculpture still carries the imprint of artisan knowledge passed down through centuries. Yet while Valentine’s practice honours and continues many traditional methods, she is very much a 21st-century practitioner, excited by technology and operating globally, sourcing her materials, her working spaces and conversations all over the world. “I work with whatever technology I can take; and I work some pieces just by hand. That’s amazing – and even more beautiful when you’re working more intuitively and you don’t know what the end product is going tobe.” Now, she says, working like that is “something that I give myself as a gift”. “Part of my artistic practice tries to get to the essence of things and that’s often a pure, fragile, feminine essence.”

There’s a famous Michelangelo quote about the statue concealed in each block of vstone and the sculptor’s task of revealing it. In Valentine’s concentration as she listens – leaning in to catch anything obscured beneath the stones of a conversation’s words – you sense the focus with which she seeks out her marble and its internal potential. “It’s better to go when it’s just been raining and there’s early morning light,” she saysof these excursions. “You have to tap marble, it sings, so you’re looking for the appropriate pitch.” All in a days work for widely collected and revered sculptor, Jane Valentine.

As potential collector and client of Thierry B Fine Art, we are excited to offer Autralia-wide complimentary delivery to your home or business address. To place your order, email art@thierrybfineart.com or call directly on: +613 9827 7756. Thierry B Fine Art is located at 473 Malvern Rd, South Yarra.

Gallery hours: Monday – Saturday, 11am – 5pm, Sunday 12pm-5pm or by appointment: 0404 861 438.

The Finkelstein Files: Portrayals of Place

This blog is brought to you from Darwin in the Northern Territory! Guest blogger and Aboriginal art collector, Thierry B has snapped us his top picks from the Museum and Art Gallery of the Northern Territory tonight in the balmy 28 degree heat, as he reclines in the comfort of a waterfront deckchair at the Darwin International Film Festival (Melbournites will understand my obsession with any temperature in the double digits this week…) Darwin has hosted the National Aboriginal and Torres Strait Islander Art Award (NATSIAA) since 1984.  The aim of the award is to recognise the important contribution made by Indigenous artists from regional and urban areas throughout Australia, working in both traditional and contemporary media. It’s an important showcase for both established and emerging artists and has come to be regarded as one of the premier national events in the Australian Indigenous art calendar.   indig Thierry is quick to remind me that it’s de rigour to ensure that ethically sourced Indigenous art be purchased from a reputable outlet or agent across Australia. One way to be certain a work for your home has been ethically sourced is if it has been purchased from Indigenous artist-owned, community-based art centres, where one exists for the region, or from galleries that source the artwork from these centres or that are signatories to the Indigenous Art Code (indigenousartcode.org).  Collectors too are giving themselves the best chance to buy work that will appreciate with confidence by purchasing with clear-conscience confidence. IMG_4036 In recent years, aboriginal art from Australia has gained growing international recognition as more studies are being carried out on them. Contemporary artists continue to carry on the tradition of telling old stories through a variety of new media as explained by leading Indigenous arts historian, Colin Jones here. IMG_4032 IMG_4035 We are lucky enough to include two outstanding works in the auction, both generously donated through keen AUSiMED supporters, see Mitjili Naparrula’s AUSiMED work here and work by Patrick Mung Mung here. august 2015