The Finkelstein Files: Art Appreciation 101

Why does art matter?? For without perspective, life would be awfully dull!  It is our most expressive form of sharing. Art matters because it illustrates the human experience—the wonder of it, the bewilderment of it, the whimsy of it, and so much more. We would not be connected so deeply without the existence of art

The arts matter because they help us see the world from different perspectives. They give us empathy and help us understand people, places, periods of history, and issues with which we may otherwise be unfamiliar. They comfort us in grief and energise us in celebration. They are important because they can act as a catalyst for change…they can start a revolution! The arts ignite something in our brains that I can’t explain, but I know it’s essential for life.


Above: Artwork by painter Michael Whitehead, Document, 2018, Mixed Media on Linen, 150 x 200cm. Interior styling courtesy of Melissa Gries of Zenza Interiors.

Are you a newbie to the art of collecting? Here is a substantial reason how you can start your very own art collection! Post October this year, if you have a registered ABN for a business which is turning over under $10million annually, an art work upto $30,000 will be fully tax deductible under current ATO regulations.

So effectively, you could purchase 5 x paintings at $30,000 each & have something to show for $150,000 taxable amount owing. No better time to invest in an art collection! Read more HERE by arts accountant specialist & valuer, Michael Fox regarding the recent ATO updates.

Above: Artwork by painter Michael Whitehead, Manuscript, 2018, Mixed Media on Linen, 180 x 210cm. Price on Application: art@thierrybfineart.com

Above: Artwork by painter Michael Whitehead, H, 2018, Mixed Media on Linen, 180 x 210cm. Price on Application: art@thierrybfineart.com


Above: Artwork by Patricia Heaslip, Walk In Silence, Oil on Canvas, 122 x 122cm. Price on Application: art@thierrybfineart.com

 

Above: Artwork by Thierry B., Nuanced, 2018 – Dreamscape series, Synthetic Polymer Paint on Canvas, 122 x 183cm. Price on Application: art@thierrybfineart.com


Above: Artwork by Thierry B., Fairytale, 2018 Dreamscape Series, Synthetic Polymer Paint on Linen, 152 x 122cm. Price on Application: art@thierrybfineart.com

 

Above: Artwork by Wilson LinThe Things We Do For Love, Fractal Series, Synthetic Polymer Paint on Canvas, 183 x 274.5cm (triptych). Price on Application: art@thierrybfineart.com

Above: Artwork by Wilson LinFresh Strike, 2018, Fractal Series, Synthetic Polymer Paint on Canvas, 170 x 250cm. Price on Application: art@thierrybfineart.com

 

Above: Artwork by Thierry B., Mindful Moments, 2018 Dreamscape Series, Synthetic Polymer Paint on Linen, 152 x 122cm. Price on Application: art@thierrybfineart.com

 

Above: Artwork by Patricia Heaslip, Landlines, Oil on Linen, 183 X 183cm. Price on Application: art@thierrybfineart.com


Above: Artwork by Thierry B., Entanglement, 2018 Coral Series, Synthetic Polymer Paint on Linen, 152 x 122cm. Price on Application: art@thierrybfineart.com

 

Above: Artwork by Thierry B.,Voyage, 2018,Synthetic Polymer Paint on Linen, 122 x 91.5cm. Price on Application: art@thierrybfineart.com

Above: Artwork by Thierry B.,The Deep Blue, 2018, Synthetic Polymer Paint on Linen, 183 x 183cm. Price on Application: art@thierrybfineart.com

Above: Artwork by Thierry B.Starling Zen-sation, 2016,Synthetic Polymer Paint on Linen, 183 x 183cm. Price on Application: art@thierrybfineart.com

If you have a registered ABN for a business which is turning over under $10million annually, an art work upto $20,000 will be fully tax deductible under current ATO regulations. So effectively, you could purchase 5 x paintings at $20,000 each & have something to show for $100,000 taxable amount owing. No better time to invest in an art collection! Read more HERE by arts accountant specialist & valuer, Michael Fox regarding the recent ATO updates.

The Thierry B Fine Art website offers a complete stockroom to view available works, interior pages with the paintings installed into their new homes for inspiration, in addition to a testimonial page which sounds positively smarmy – every word is true!!! We look forward to welcoming you into our bespoke gallery space, complete with oversize stockroom for your viewing pleasure.

Thierry B Fine Art  is located @ 473 Malvern Rd, South Yarra. Gallery hours: Monday – Saturday 11am – 5pm & Sunday 12pm – 5pm or by appointment via art@thierrybfineart.com

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The Finkelstein Files: Moody Blues


Above: Visitor from Singapore to the gallery with Thierry B. over the weekend. New Coral Series painting installed entitled, The Deep Blue, 2018, Synthetic Polymer Paint on Linen, 183 x 183cm, P.O.A

How many Abstract painters can confidently say, their oeuvre encompasses twenty-seven (27) different styles available to his clientele?! So much of Thierry B’s art can be traced and talked about in terms of intention. The use of repetition in mark making, draws the viewer into the picture plane. It can be seen as metaphor for making his mark upon the world on a physical scale. Lyrical and delicate imagery, these fluid shapes transform spaces they inhabit. Hypnotic and healing, many of  Thierry B’s series have been widely collected and photographed in private collections across Australia and overseas.


Above: Jane Valentine’s Shielding II, Carrara Statuario Marble on granite base, 110h x 110w x 31d cm, P.O.A

 

Jane VALENTINE developed a strong passion for marble during her time spent in the sculpting village of Pietrasanta, situated at the base of the Carrarra Mountains in Northern Italy. During her time there she explored a strong and individual style of art making. Valentine’s marble forms survey classical simplicity and the purity of form. Much like the later works of Romanian sculptor, Constantin Brancusi, her structures and vessels are abstracted and embrace various aspects of the natural world. Her aesthetic resonates with the essential elements of sculpture and its traditions to reveal the clarity of the material and its form. Artist Jane Valentine, working in her studio Nicola Stagetti, in Pietrasanta, Italy.

 

 

Valentine has participated in numerous solo and group exhibitions throughout Australia and in Italy. She has received several commissions for her work including three major Statuario marble works for Chadstone Shopping Centre in 2009. Valentine represented Australia at the 1999 International Sculpture Symposium in Changchun, China and her work is on permanent display at the Changchun International Sculpture Park. Her first major exhibition was representing Australia in the 1999 International Sculpture Symposium in Changchun, China.  More recently, her pair of Droplets, 2014, (pictured above) are now sited at The Gandel’s Pt.Leo Winery & Sculpture park on the Mornington peninsula, outside Melbourne, an hour out by car on the freeway.


Above: Above: Patricia Heaslip, Resolution, 2018, Oil on Board, 137 x 137cm. Private Residence: Port Melbourne, Australia.


Above: Patricia Heaslip, Undercurrent, 2018, Oil on Board, 137 x 137cm, P.O.A

Above: Patricia Heaslip, Happy Heart, 2016, Oil on Linen, 183 x 183cm. Private Residence: Malvern, Melbourne, Australia.

With art we travel. What leads us to search out meaning for the walls of our inner harbours and our exterior retreats? What combination of space, surface and colour lead us to a feeling of extended openness, of belonging to our surroundings, of expansion of space and the glimmer of inexplicable lightness.

As we travel through architectural spaces, designed places – the search for the spontaneous and the desirable, and at times the spiritual, can often be mirrored in how we choose to demarcate our ideologies of place.

 

Above: Thierry B, A Blue HeartDarwinism Series, 2018, Synthetic Polymer Paint on Linen, 122 x 91.5cm, P.O.A

 

Thierry B explains the art of zen; “My work is all about introducing the joy of colour into our lives, often seen here through cross-sections which challenge your spatial perception. The vibrancy of hue and curvilinear forms in repetition create a dynamic feast for the eye, where they are in constant motion. Energy maps a pathway for our eyes and hearts to meld.” – Thierry B, July 2015.

The Thierry B Fine Art website offers a complete stockroom to view available works, interior pages with the paintings installed into their new homes for inspiration, in addition to a testimonial page which sounds positively smarmy – every word is true!!! We look forward to welcoming you into our bespoke gallery space, complete with oversize stockroom for your viewing pleasure.

The gallery is located @ 473 Malvern Rd, South Yarra. Gallery hours: Monday – Saturday 11am – 5pm & Sunday 12pm – 5pm or by appointment.

The Finkelstein Files: In My Room

“Mother says there are locked rooms inside all women; kitchen of lust, bedroom of grief, bathroom of apathy.”

– from ‘The House’ by Warsan Shire

In My Room is the telling title of Helen Gory’s newest body of works – at once an invitation and a provocation. Strongly symbolist in nature and style, she has created a blueprint that challenges the viewer to encroach on her personal space; both as audience and interrogator.

Gilt-laden images are scratched into the paper, challenging its singular appearance. I am reminded of Austrian-born artist Gustav Klimt, who once said something like ‘art is a line around your thoughts’. This idea resonates throughout Gory’s works, which are at once deeply personal and universal. Draw a line; make a point; take a stand; risk something.

Gory’s oil-stick women delve backwards into unrevealed pockets of spaces, memories compartmentalised into separate ‘rooms’. Her challenge – and ours – is to slowly, carefully unpack these subtle chimeras; expose their interior to the outer world. Woman with Leaf speaks loudest without uttering a word. Verging on naïve, these night-shade women hover between darkness and illumination. Their talisman tools may well be props; striking a pose that both regales and invites us inside.

Helen Gory opened her own contemporary commercial art gallery in 1995. Helen Gory Galerie was a pioneer in supporting emerging practitioners, many of whom have gone on to become Australia’s leading visual artists. In 2008, Gory closed her gallery to pursue a long-unfulfilled desire to make art.

Golden Bars, 2018

Paper Collage and Oil Stick on Art Paper, 140 x 110cm.

It’s a Challenge, 2018

Paper Collage and Oil Stick on Art Paper, 140 x 110cm.

Walking Back To Happiness, 2018

Paper Collage and Oil Stick on Art Paper, 140 x 110cm.

Gory’s work is best described as visual stories where humour and joy sit side-by-side with the shadows that they cast. She is concerned with uncovering what is hidden, with the act of revelation. Through the repeated motifs of fragmented body parts, women, and elements of the natural world, her often-surreal images speak of desire, longing, angst and the power of transformation.

(det.) The Leaf, 2018, Oil Paint on Paper, 109 x 67cm

The Leaf, 2018

Oil Paint on Paper, 109 x 67cm

Gory works across various medium to construct these visual narratives. Her first primary medium, collage, allows her to deconstruct, fragment, (dis)connect and reassemble, the process of creation a metaphor for the complexity and layering of human experience.

More recently, Gory has segued from collage to painting and drawing. Using oil stick, graphite and charcoal in scribbling and scratching-like motions, she adds/removes layers in a repetitive act of mark-making that is intrinsic to the interior world she is revealing.

The Pods, 2018

Oil Paint on Paper, 109 x 67cm

(det.) The Pods, 2018

Oil Paint on Paper, 109 x 67cm

The Scarf, 2018

Oil Paint on Paper, 109 x 67cm

The Scarf, 2018

Oil Paint on Paper, 109 x 67cm

Last weekend to see In My Room!

Head to: Backwoods Gallery, 25 Easey Street, Collingwood, VIC, Australia (map)

The Finkelstein Files: Art Matters

Above: Michelle Breton, Chant Du Midi, Mixed Media, 152 x 137cm.

 

Above: Thierry B, Blush, Synthetic polymer Paint on Canvas, 122 x 91.5cm.

 

Above Left: Thierry B, Where Are You Now?, Synthetic Polymer Paint on Linen, 170 x 250cm, Private Residence, Caulfield.

Above Right: Michael Whitehead, Things Forgotten, Synthetic Polymer Paint & Mixed Media on Canvas, 120 x 150cm, Private Residence, Caulfield.

 

The definition of decorative means to make something more attractive – to embellish and beautify and enhance one’s environment. In France, the term decorative is celebrated in all its forms from furniture, to carpets, soft furnishings and ornaments. Decoration is an art form in itself to be revered and admired. Why then, does the word ‘decorative’ sound so dirty when we apply it to art ?

To decorate one’s environment is to create a space which reflects your taste and admiration for certain colour palettes and styles which inform and transform wall space into ‘energy pockets’ where your eyes zoom in and rest on works you love to look at and live with everyday. And it is entirely personal. What we are drawn toward and respond to may be decorative in nature, have no narrative but to take your eyes on a journey of exploration.

Above: Patricia Heaslip, Ether, Oil on Linen, 183 x 183cm –  Private Residence, Malvern.

Above: Patricia Heaslip, Untitled, Oil on Linen, 183 x 183cm –  Private Residence, Brighton.

Above: Patricia Heaslip, Diamond Soul, Oil on Linen, 183 x 183cm.

Thierry B Fine Art offers our clients possibilities and services which no other gallery includes in Melbourne. If you are placing your greatest asset on the market for sale, our stockroom holds over 400 paintings by an eclectic range of 12 artists including the prolific portfolio by Thierry B himself, whose series number 16 different styles. Truly something for everyone – we are adept at working within your budget and timeframe — whether it be for an Open For Inspection to the public, or a private function hosted at home, or longer term rentals available for commercial and private spaces.

More cost effective than alternative options – our service provides delivery with our professional carriers and installation by Thierry B for the wow factor. Thierry has been told by so many satisfied clients that he ‘has the eye’ & will deftly tweak a few pieces of your existing furniture, or suggest some tired art works require a ‘facelift’ with a sharp custom frame, can source on your behalf furniture, soft furnishings where required.

“Thank you to Thierry B – he has ‘the eye’! With our renovation complete, we had many blank walls staring back at us but had no idea where to start. Thierry was able to assist us with proportions and existing work we owned and even the placement of furniture so that it all flowed beautifully from one room to the next” – Mr. & Mrs. Cawthorne, Brighton.

 

Above: Thierry B, Darwinism Series, Indulgence of Freedom, Synthetic Polymer Paint on Linen, 200 x 300cm.

Above: Thierry B, Darwinism Series,  Synthetic Polymer Paint on Linen, 170 x 250cm – Private Residence, East Melbourne.

 

With as many as 16 painting styles, Thierry B has a healthy insta following  – all enamoured with his diversity and talent. He is open to accepting commissions for clients who are keen to add his energy to their blank walls at home. Thierry regularly makes house calls to offer a complimentary consultation to recommend the ideal proportions of a painting which can act as an anchor point in a room. Clients are then able to select their preferred colour palette to either work back with existing work hanging or create a new energy in the space.

 

Above Left: Phonsay, Under My Umbrella, Acrylic on Linen, 122 x 122cm.

Above Right: Phonsay, Bubblegum Dream , Acrylic on Linen, 122 x 122cm.

Phonsay‘s clever and whimsical digital photographic prints have long been a favourite among Thierry B clients, who are drawn in with his quirky compositions all expertly framed in this limited edition printed on super fine, museum-quality rag paper, offering an aquarelle stipled-like effect. This year sees Phonsay picking up his fine hair paint brushes to create some client commissions of portraits of families, and the odd surprise gift for a special birthday for hard to buy for loved ones. The paintings start from 122 x 122cm in size and can be commissioned to size with an emerging price tag to boot. An affordable way of adding a treasure to your growing collection.

Above: Michael Whitehead, Ever After, Synthetic Polymer Paint and Mixed Media on Linen, 80 x 270cm, Private Residence, Toorak.

Above: Thierry B, Pieces of You, Synthetic Polymer Paint on Linen, 122 x 91.5cm, Private Residence, Toorak.

Some of Thierry B’s satisfied clients:

“We are both so thankful for your decorating expertise for our home – from advice on paintings for our space, design recommendations and of course, your skillful hanging – it now looks amazing!”  –  Karen and Justin, Malvern.

“Hi Thierry – this is the quickest makeover ever. Thought I was in the wrong apartment. Looks brilliant. Love your work. Many thanks for your time today. Very much appreciated” – Julie & Michael, Southbank

Above Left: Thierry B, Unlimited Series, Synthetic Polymer Paint on Linen, 183 x 183cm – Port Melbourne Residence.

Above Right: Thierry B, Between the Lines Series, Synthetic Polymer Paint on Linen, 137 x 122cm – Port Melbourne Residence.

Above Right: Thierry B, Calming Chaos, Synthetic Polymer Paint On Linen, 183 x 183cm – Williamstown Residence.

It is always appreciated when our valued clients take the time to express their gratitude: “Dear Thierry, I’m walking around my house in absolute awe with what you have created here with your style and flair, something that I would never have been able to achieve. Thank you so much for everything so far. I really appreciate you coming out this afternoon and fine tuning the furniture and putting up the family photos which are very important to me and you’ve made it look classy and elegant. I know it’s a busy time of year for everyone so I appreciate you fitting today into your schedules. I can’t wait to see the house in Belle magazine hopefully sometime in 2017 to show off your hard work for all to admire. You’re a true gem and a beautiful person! Justine xxxx” – John & Justine, Williamstown.

Thierry B Fine Art is located at 473 Malvern Rd, South Yarra.

Gallery hours: Monday – Saturday, 11am – 5pm, Sunday 12pm-5pm or by appointment: 0404861438.

 

The Finkelstein Files: Golden Repair

Above: Remembering the Pattern, 2016

Analogue collage, oil stick on hand painted rag paper, 34 x 46cm.

Above: Where The Sun Don’t Shine, 2016

Analogue collage, oil stick on hand painted rag paper, 35 x 45cm.

“Helen Gory’s art pivots upon its connections. Its power lies in its links. Her images seem to unspool and reveal an almost filmic flow of associations. Golden Repair, the title of her solo exhibition at Chapman & Bailey in Abbotsford, refers to the Japanese procedure of Kintsugi. This process brings together and reconnects fragments of that which was whole; it is, in essence, an embrace of imperfection. For Gory, the procedure stands as an analogy of the honest acceptance of often overlooked and almost forgotten aspects of her inner self. It’s a type of re-stitching – an aesthetically realigned spill-out of the contents of a mental handbag.”

Attending the opening of the exhibition, I was reminded of the astute observations of esteemed art historian, Ken Wach, (above) as he waxed lyrical about Gory’s gilt creations. An Associate Professor and former Head of Creative School of Art at Melbourne University, Wach has long proved a valuable treasure trove of knowledge when sluicing to the core of an artists’ intention.

Above: (detail.) Never Ending, 2016

Collage and oil stick on paper, 140 x 100cm.

The mixed-media works in Golden Repair speak of desire and displacement. Through her art Gory searches for patterns and meanings; her mind is seduced by connections and coincidences as it points toward a form of self-interrogation. Thoughts are prompted by fractured, fragmentary and juxtaposed images – an inventive vision of constructed parts rather than given wholes.

“This body of work is autobiographical, and has taken me close to three years,’ says Gory. “To celebrate that which is not perfect resonates deeply with me. These distortions and missing bits and pieces, floating in mid-air, are expressions of seeing beauty in who we are, as we are,” explains Gory. “Finding the connections are our strengths.”

Above (Left to Right) : Three generations of Gory women together, artist Helen Gory with her daughter and grand-daughter.

Recognising the beauty in broken things, is interwoven with the Japanese philosophy of wabi-sabi – to find beauty in broken or old things. By giving new life, or rebirth to objects by celebrating their flaws and history, the 15th century practice of Kintsugi can be applied to life. To find value in the missing pieces – to bring light the scars that have come from our experiences, to find new purpose through seeing the beauty of imperfection – is a gift of innate prosperity.

I have long been an ardent fan of the collage as a unique medium of exploration – signposting our most primal visual markers. Assemblage is a dense and intricate process not for the feint-hearted as Gory explains of her practice. Gory’s ability to track and expand upon her ideas are referenced here in an earlier body of works here.

For an artist, who once was firmly fixed on the spectator side of the studio, her gallerist eye is sharp and pincer-like. An advantage of two decades of running a commercially successful exhibition space, and nurturing the fledgling careers of many of Melbourne’s finest talent, Gory has a head start. To then be able to ‘un-see’ what she can already ‘see’ is the trick to tying it all together. The Guts & the Gory.

Above: Holding My Flame, 2016

Oil Stick on Board, 38 x 34cm.

Above: Feeding the Donkey, 2016

Oil stick and pastel on paper, 122 x 86cm.

From a collectability perspective, the works are genuine nuggets of gold. Priced extremely affordably, it is tempting to select more than one work of art. A pair juxtaposed and pitted against themselves works well. I often ask my twin 7 year-olds their opinion on new works – their untrained eyes often ‘see’ better than most jaded buyers with decades of viewing under their proverbial belts. After a short discussion, they both select the same work – declaring it ‘special’.

A week post-opening, the collection is fast on its way to selling out – audiences are aware that what they see and feel resonates within long after stepping away from the image. That’s how great art is meant to make you feel. That you have stumbled upon something precious that makes you feel joyous!

Golden Repair is on until April 1st at Chapman And Bailey, 350 Johnston St, Abbotsford. For sales call the gallery 03 94158666, mon-fri, 10-5.30, sat 10.30-4.30.

The Finkelstein Files: The Prodigy of Thierry B.

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Thierry B is well known for his colossal sized canvases – all abstract in style and resolutely zen in spirit. The three framed works featured in our South Yarra gallery measure 2 x 3 metres each. Happy to paint commissioned works for his clients, Thierry loves to bring colour, movement and energy into a room changing the feel forever into a space where you are at home.

Bigger indeed, can be better! If you have a space or multiple areas which have blank walls crying out for some special treatment, visit Thierry B Fine Art where we showcase larger paintings. We also offer a custom framing service, delivery and installation included in our pricing for a total turn-key solution for your home or business.

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Above: Master painter, Thierry B. in paint splattered overalls doing what he loves most – creating! Pictured here in his Huntingdale studio hard at work.

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Thierry B.
The Well Wisher
Synthetic Polymer Paint On Italian Linen
200 X 300 cm
Signed and Dated Lower Right
Titled Verso

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Thierry B.
Tides Turning
Synthetic Polymer Paint On Italian Linen
200 X 300 cm
Signed and Dated Lower Right
Titled Verso

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Thierry B.
Indulgence of Freedom
Synthetic Polymer Paint On Italian Linen
200 x 300 cm
Signed, Dated and Titled Verso

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Thierry B.
New Chapter
Synthetic Polymer Paint On Italian Linen
183 x 183 cm
Signed, Dated and Titled Verso

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Thierry B.
The Love Exchange
Synthetic Polymer Paint On Italian Linen
170 x 250 cm
Signed, Dated and Titled Verso

appointment

The gallery is open Monday – Saturday 11am – 5pm and Sunday 12pm – 5pm until Christmas Eve @ 473 Malvern Rd, South Yarra.

For an appointment outside these hours, please call  0404 861 438 or email art@thierrybfineart.com.

Happy Holidays to all from me and mine – to a new year filled with health and happiness for all.

Vicki xx

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The Finkelstein Files: Blissed out in Bali

Om Swastiastu, greetings from Bali, where in  Hindu mythology, the monkey king can weaken enemies with a wish! Here I am reporting from the beachside totally enchanted by the feast for the eyes which surrounds my every step.

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From the street flower sellers to the locals blessing their establishments as early as the rooster crows and the sun comes up, Bali is filled with an quiet energy that hums. After a dedicated week of jettisoning the last vestiges of the long, chilly Melbourne winter, I feel re-born. Breakfasting on the beachfront with fresh juices, local fare and salt air has brought me back to the land of the living.

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The slow somnambulistic pace is easy and easy on all the senses – just what the doctor ordered. Sometimes you happen across artists grinding pigments in the alleyways for their next canvas – painting is a very usual practice and way of life here. A reminder that the simple pleasures are often our greatest. Pictured below here is The Finkelstein Files photographer, Sophie Agiriou, a woman with a passion for people and places as you can see plastered all over her smiling face surrounded with her new-found feathery friends!

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As I watch the sunset, I chow down on yet another delicious meal, where the dishes are clean and filled with local produce bursting with flavour. I have caught up with a few friends to share a meal and some good times. I met up in Ubud, home of the internationally attended Ubud Writers Festival, with Melbourne-based painter, Kate Shaw who exhibits from Taiwan to New York and everywhere in between. She was heading off to swim with the ancient turtles that pepper the Gili Islands a short boat ride away. Exciting to chew the phat over the Australian art scene and what is coming up for her locally and overseas in the next year. Another ex-pat I had the pleasure of seeing, is fashionista, ex-Fitzroy bespoke shoe designer, Johanna Preston of Preston Zly fame, as always partnered by her softly-spoken partner, Peter Zly.

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A dear friend, David Elsey, a rocketing well-being practitioner now lives here with his partner Lin Lin, sharing his talent for assisting those who need a mind-body-soul shift back into the here and now. The Finkelstein Files will share more of David’s successful NLP-based modality in an upcoming post and special opportunity for readers to participate in a unique workshop positioned for July 2016, here in beautiful Bali.

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Although not native, I feel a Namaste is the order of the day somehow, as another day dips down into the ocean, the night ahead filled with frangipani-scented promise of tales to come.

Big love from Bali,

TFF xx

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