The Finkelstein Files: Indigenous Instyle

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Lily Kelly Napangardi is a highly esteemed artist recognized for her contribution to contemporary aboriginal artwork. With a talent for intricate detail, Lily has captivated audiences with her interpretations of the shifting seasons and changing country.

Napangardi  was born around 1948, is a senior law woman of the Watiyawanu community, Haasts Bluff and is from Mount Liebig. Lily moved to Papunya in the 1960’s. She began painting in the 1980’s. Her ‘Tali -Sandhills’ paintings are finely constructed of a series of fine dots and dashes, their fasinating structure builds to a wonderfully detailed topography of her land. Lily Kelly Napangardi holds the authority over the “Women Dreaming ” story associated with Kunajarrayi. Lily’s paintings depict her country’s sandhills, the winds and the desert environment after rain, especially the sandhills near the Kintore area.In January 2006, Lily Kelly Napangardi was included as one of Australia’s 50 most collectable artists by the prestigious Australian Art Collector magazine.

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Lilly Kelly Napangardi was born at Haasts Bluff in the Northern Territory around 1948. She moved to the newly established settlement of Papunya in the 1960s. During her time in Papunya, Lilly engaged in painting activities, notably assisting with works by her husband Norman Kelly in the early 1980s. Lilly is one of the senior Law Women of the community, teaching the younger women traditional dancing and singing. Her language is Luritja. Lilly is a respected senior law woman of the community imparting knowledge of traditional songs and dancing to the younger generation.

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Lilly began painting in the early 1980s, winning the Northern Territory Art Award for Excellence in Aboriginal Painting in 1986. Lilly’s hypnotic ‘Sand Hills’ paintings are made up of fine dots and dashes, their muted tones building up a mysterious, hidden topography of her land.

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These paintings portray the depiction of the “Tali”, sand hills located near her homelands. The microscopic dots show the impact of the rain and the wind as it moves across the countryside. This story was passed to her by her father and the sand hills (Tali) are a site of significance for the artist and her family.

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Lilly is a highly collectable artist with a strong following: she is represented in major national and international collections.

Selected exhibitions:
1999 Desert Mob Show, Alice Springs
2000 Graham Marshall Gallery, Adelaide
2001 Desert Mob Show, Alice Springs;
2002 Desert Mob Show, Alice Springs.
2002 Telstra Awards;
2003 Telstra Awards
2003 Neil Murphy Indigenous Art showing at Mary Place Gallery, Sydney
2003 Graham Marshall Gallery, Adelaide;
2003 Telstra Awards; 2003 Neil Murphy Indigenous Art Span Galleries, Melbourne;
2003 Desert Mob Show, Alice Springs;
2004 Neil Murphy Indigenous Art showing at Span Galleries, Melbourne,
2004 Mary Place Gallery, Sydney
2004 Graham Marshall Gallery, Adelaide.

Awards:
Winner, 1986 Northern Territory Art Award
Winner, 2003 Telstra National Aboriginal & Torres Strait Islander Art Award

Collections:
National Gallery of Queensland Brisbane
The Kerry Stokes Collection, Australia;
National Gallery of Australia Canberra;
Art Gallery of New South Wales – Sydney;
Art Gallery of South Australia – Adelaide;
National Gallery of Victoria – Melbourne;
Holmes A Court Collection Perth;
Museum and Art Gallery of the Northern Territory Darwin;
Art bank Sydney;
The Kelton Foundation, Santa Monica, USA;
Thomas Vroom Collection, Amsterdam;
James Erskine Collection;
Mollie Gowing Acquisition Fund for Contemporary Aboriginal Art 2003;
corporate and private collections around the world.

Thierry B Fine Art is excited to offer a new range into the gallery of Lilly’s work for both the discerning and burgeoning art collector.  Gallery hours are: Monday – Saturday 11am-5pm and Sunday 12-pm or by appointment on 0404 861 438.

Vicki xx

copyrightTFF

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